Nothing new really other than I’ve been really ill. Moved house and am in the process of unpacking and figuring out what to do with myself.
I haven’t got much energy so for the moment not a lot of updates (not that there’s been many at the moment) but I’m hoping to try and run a D&D game which always inspires me. I am working on codifying my ‘japan with the serial numbers filed off’ setting. Most Asian setting fail because they’re either too focused on codifying and merging the culture of even a dozen countries, the myths of over a billion people and more OR they do the opposite and ignore it, thus dooming the setting in ignorance. I’m no expert I just want to explore non-European tropes, have an excuse for a different feudal system (essectially a weird form of imperial communism) and of course – ninjas!!
In short I want to…
…capture the Japan of the Tenchu games where there’s some magic and supernatural stuff but it’s mostly other people who are the main enemy.
…mix social interaction with combat and for both to be potentially deadly.
…make combat dangerous but fair, it’s not about who has the most magic items.
…have honour as something that enforce player choice and to be relevant.
…make magic fantastical and rare but not unheard of – no +1 longswords here. But if the players do find a magical katana, it will be forged from the crystalised tear from Lord Moon, shed when he mourns the absence of the Sun. Such a weapon would have the statistics of a Vorporal sword and people will kill to obtain it.
…ask the question of what is more dangerous a swarm of goblins (or Bakemono) or the bureaucrat who has cancelled the logistics for your men at arms leaving you without a guide through the mountain?
…create a world where the gods are important and real, but aren’t the main players of the end-game.
…a world where actual change to the future history of the world will happen, catalysed by the players actions.
Hopefully this will be more achievable than writing a whole other system from scratch, especially one I’m practically not to familiar with.
Again today someone suggested finding the inevitable PBTA/Blades in the Dark that exists which will capture what I’m trying to do. Part of me wonders if just writing up my RPG experiences here will yield better outcomes than trying to re-invent the wheel.
I love playing RPGs but like most GMs the game I want to play most is the game that I’m probably wanting to run!
I think I might try to write up some adventures for Deathwatch as I enjoy the ‘over-the-top-ness’ of it all. Today also gave the view why Deathwatch is such a good game; it’s mostly ‘fighting and shopping’ which is what a lot of RPGs used to be about in many respects. Accordingly Deathwatch is quite a fun system to run and the players can often decide and lead where the story goes which is a good thing too.
So world building is important in all RPGs. Even those that don’t have a specific world or defined area (WoD or a FATE game) have themes and moods that they want their settings to convey.
However I’m not talking about this subject for which whole forests of trees have been sacrificed. I’m talking about having the characters actually change and develop their world. This ability to change the setting/world of hACCESS is intended to be a key part for one simple reason: agency.
Generally in a D&D game there comes a point where the PCs end up owning some property (castle, tavern, wizards’ tower et cetera) and then the DM has to come up with a way of running D&D as well as running a mini Minecraft game as well as some sort of Civilisation style game. However D&D as a core came doesn’t support this sort of play. These are optional house rules that need to be tacked on later as they crop up.
Hack the Planet…
However, in hACCESS if the team expose the Hexxon-Kobil’s scheme to frack using refined rhinoceros tears and thus prevent massive pollution then a tracker of ‘air pollution’ might move a couple of steps towards cleaner air.
These will give specific benefits and overall may help the team of PCs to complete their Overall Objective.
The Overall Objective can be decided by the Players, the GM or both together. It should be story based, sensible and achievable. E.G.; ‘Bring down the TESCO-X corporation and expose their wrongdoings‘
This statement gives the team an overall objective. The GM will have guidelines of how to break this down into 4-6 ‘episodes’ of increasing tension/difficulty and thus frame the ‘mini-series’ with each step being like an episode (hopefully an episode of 24 rather than Eastenders).
Each step’s success or failure will then add to the final heist/assault/attack because the world will have changed. Perhaps the city’s population, now that they know the evil of TESCO-X, don’t shop there, so TESCO-X’s profits are down and they have less resources in the final showdown to use against the PCs
So I’m flip-flopping again. This time I am going to go for a custom system using d12s for three reasons; no one uses d12s, d12 enables a pseudo-simulation of other dice (d2, d3, d4, d6) due to the larger number of factors for 12 and finally by using a custom system it means I don’t feel beholden to ‘legacy’ systems of any system that I plan to ‘rip off’
Proposed d12 System
Current thinking is something along the lines of 3d12 by default with 9-12 as success [3x(4/12)] as the average of success. This is analogous to rolling 3d6 and looking for 5 or 6s. However difficulty of task increases the threshold number from say 9 to 10-12 (now we’re looking at rolling 3d4 and needing 4s) or 11-12 (3d6 but needing 6s) or even 12 for the most extreme task!
Skill proficiency and equipment add dice rather than change the difficulty of the task and there is no threshold for successes required.
I am tinkering with the idea of a botch/fumble – no successes on the 3d12 and at least one 1, as well as a crit/stroke of luck – all successes or possibly only one success which is a 12. I sometimes hate the idea of crits so I’m still not sure.
Optional d6 Variant
Because d12 are not the most popular dice, I will be including a 3 (or possibly 4) d6 variant where 5-6 is the default success threshold. It doesn’t provide the nuanced levels of differentiation that a d12 does but will at least allow people to play without having to buy lots of dice.
So on recommendations from peers, I’m going to relook at Powered by the Apocalypse (PbtA). This is going to require quite a bit of reading and then some hacking, creating and writing until finally some playtesting!
I really hate flip-flopping but while I love FATE it doesn’t quite capture the heist-y feel that I want and hence the lack of drive of this project on my part. Also FATE probably wouldn’t work well without a serious hack of the system which was the point of going to FATE in the first place!
That being said my main reservation of needing playbooks (from my Blades in the Dark experience) is apparently largely unfounded. This is what I meant when I said I wasn’t massively confident with the system and didn’t want to have to create write and balance a half dozen playbooks in an unfamiliar system but apparently playbooks aren’t needed for PbtA. So I have rekindled hope in the system.
So just before Christmas we wrapped up the Red Hand of Doom with an epic 10 hour session. The party had the help of a Bronze Dragon that they’d somehow managed to extract and ressurect in a cave outside of the last dungeon.
The battle with the high priest of Tiamat was tough because I wasn’t pulling punches and there were respawning minions. Unhallow effects also didn’t help make it easier. Basically a slightly stacked deck. However they prevailed and then fought an Aspect of Tiamat. This is basically the weakened Tiamat from the ‘Rise of the Tiamat’ adventure which makes her supposedly CR15. However the PCs had a dragon with them plus a bonus dragon from a boon of Bahamut that they had earned. This enabled them to put some consistent damage on the aspect.
Additionally I made sure to telegraph the Aspects breath weapons (“she’s inhaling…”) because while rolling 16d6 for a breath weapon is fun, a TPK that the party can’t stop *isn’t*. I was essentially thinking of ‘MMO Raid’ for this encounter. That included cheats like ‘health gating’ – so there were triggered events at 50% and 25% and 10% HP. The last of which was a ‘wipe mechanic’ (her flame breath which would probably KO or Kill 3 of the party). Despite some hairy moments the party prevailed, banishing the aspect back to hell.
Firstly ‘cool trumps rules’. This isn’t to say let players away with taking the piss and trying to invent unreasonable advantages for themselves, but that if they do something imaginative and consistent within the rules of the system then it should have a reasonable shot of working if it promulgates the story.
Second 5E boss fights using standard rules as written suck. Simply put that 4 characters have multiple attacks, items and bonus actions. That could be 12 distinct rolls or effects or attacks. Few monsters get that within a round. Tiamat has multiple reactions and legendary actions which makes her a bit more challenging but she’s a deity. Most bosses in 5E aren’t quite that advanced. Both of these points have made me think of other ways to resolve combat and vanquish foes.
So to this end recently I’ve been stealing ideas from looter-shooters like Borderlands 2 and Destiny 2. Both of them are similar to TTRPGS (kill stuff, get XPs & get loots!) and are clearly influenced by traditional RPGs as well as MMOGs. While many people wanted to get away from 4th edition’s ‘computer game’ style mechanics, from a DMs point of view 4E was a lot easier to run with a lot of nice overlapping and interactive rules. There were 1hp minions, mobile flanking skirmishers, HP slab brutes, ambushing lurkers, debuffing and manipulative controllers, long range damaging artillery and slightly stronger and tougher soldiers.
With that in mind concepts such as powerful bosses having ‘wipe mechanics’ (or in the case of D&D just mass AOE damage), limited periods when they could be damaged (DPS Phase) as well as waves of minions (‘Adds’). However this isn’t suitable for most medium sized humanoid foes at low level. Often they just have regular class abilities or the like and it’s not until the PCs are facing much more deadly foes that you can implement these sorts of mechanics.
A lot of these are very 4E in their approach. Many good 4E encounters combined a difficult (or impossible!) combat with a skill challenge (puzzle or ritual to solve) which would render the combat a bit more manageable. Don’t be afraid to look at older 4E resources and steal/borrow/adapt them for your game!
Use Seige Equipment – as outlined above, PCs must fight and capture seige equipment to turn it on a more powerful foe that they couldn’t hope to defeat normally. Examples would be using ballista to injure a dragon, or trebuchets to destroy seige towers.
Disrupt the Ritual – a monster coming through a portal. By smashing the focus stones or killing the ritual chanting cultists the portal weakens and this also damages or weakens the monster to the point where it becomes a fair fight.
‘DPS Phase’ – The PCs must survive the monsters attack for a couple of rounds which then exhausts it or it needs to recharge or similar. This provides opportunities for the PCs to inflict damage without fear of its fatal attacks being used on them. Obviously if the PCs get greedy and try to press their attack, the creatures attack will recharge and they will not hesitate to turn it on the over-eager PCs. Don’t forget to summon in low-level minions to keep the pressure on and to telegraph the ‘wipe’ attack before it happens.
Bait & Banish – The monster is all but invincible (but very stupid!) The PCs need to lure it onto specific locations (magic circles, trap triggers or similar) in order to render it vulnerable or to allow the traps to inflict damage. To make it more difficult the locations could be depleted or destroyed once the monster has taken it’s damage. Of course as the creature takes damage it gets more angry and the monsters minions could accidentally trigger the traps, using them up.
Air Strike – This is similar to the endgame plot of Out of the Abyss. Basically a beacon/trap/bomb or artefact or similar is planted in the enemy’s lair which then calls down whatever fire/monster/wrath of the gods to weaken the enemy.
In closing – just remember that typical initiative and combat isn’t the only way to defeat enemies. Often unique enemies require unique solutions!
A brief update : I’ve recently been in hospital with acute abdominal pain and while experiencing morphine for the first time was nice it still doesn’t make me want to repeat the experience. I also managed to miss some major Pokémon events too so poke-post hasn’t seen an update in ages.
Consequently I’m a bit fragile and have a massive backlog of housework to deal with as well as other real life stuff. So right now life is just a bit harder than normal at the moment. But ho hum – evolve, adapt & overcome!
During all of this I’ve managed to update my mobile is to a snazzy blackberry keyONE – which I’m hoping will facilitate a bit more productivity and help me return to producing game related content as well as possible future published pieces. It really is great for typing away on it like a mini tablet.
In terms of the YouTube I have a nice background cloth prepared (cut and hemmed) as well as better technology setup for mic+camera on top of optimising my workflow for the edit. So when I get a moment to write script topics I’ll be back to producing more videos. In the meanwhile EN world are making a podcast about RPGs so check them out if you need a fix of RPG news.
It’s not all doom and gloom, I’ve managed to spend a little time playing dungeons & dragons online (DDO) with my other half. Set in ebberon (and about 10 years old) it’s given me some interesting ideas and thoughts for actual D&D dungeons and methods of linking adventures. The lack of MMOG grind is nice too.
In real world I’ve managed to run the Secrets of Cats which is a FATE based system and despite not running fate before it went well and was enjoyed by all.
This then led me down a path whereby I’ve decided to switch hAccess to fate rather than PBTA for the simple reasons that I have limited experience with PBTA, it requires more bootstrapping to make a distinct yet playable hack which I don’t think I could manage without a dedicated PBTA group. FATE also allows for narrative framing of the level of detail depending on what sort of ‘adventure’ the players undertake. In short while I am enamoured of Blades/PBTA I don’t know it well enough to be able to make it do what I want. Whereas I do with FATE.
Finally in terms of TTRPGs we’re almost concluded in our side quest to save the sky whale and the group are really cool and have arranged too meet up and try a 1 shot of something. I’m going to bring FATE/ cats as well as some D&D I think. I’m enjoying the story and characters we have in the spin off but am looking forward to the getting back to the much bigger scale Red Hand of Doom.
We’ve also decided that we like miniatures for combat so I’ve spend a whole tenner on ebay to get about 60 lord of the rings uruk hai which work great as militarised hobgoblins. They’ll require stripping and painting too. More things for which I’m too tired to do *at the moment* but I’m sure will eventually get done.
Anyway if you’ve read all of this thanks for bearing with me while I continue to recover.
Following a wholesome exchange on Twitter I took a little plunge and got a webcam which arrives tomorrow. It might be the anxiety but my stomach is in a bit of a knot at the thought. I know that by making a commitment via buying it (and money isn’t exactly abundant!) that it will force me to at least try this.
This is also something a good friend mentioned to me a while back and resulted in me making a couple of videos about assembling metal miniatures for wargames using my partners dSLR. However I’m not that enthused by wargames and haven’t been for a while, and it felt a bit forced. Most videos are about painting, so assembly was a bit different but isn’t really something people struggle with.
Anyway, as pointed out on the Twitterverse people like Matt Colville and Critical Role are thebut are not a bar to making D&D/RPG related content. Another point raised that was it takes ego – I end up thinking ‘who would want to listen to me?’ But maybe someone will and that would be good.
Although I don’t think I have a massive ego I do like helping people and playing D&D so if others can learn from my experiences and the process is at least somewhat enjoyable it could be something I keep up.
With that in mind the 5 topics I’ve decided to hash out and then see from there.
I’m going to review random RPGs that I encounter, and I’ve started to encounter more than I otherwise would in my little D&D bubble thanks to our local RPG club. So long story short; I attend a weekly RPG group in my hometown and have been doing so since I formally stopped teaching – roughly the last 3 months although they’re nearly a year old now. I knew about it because my partner is on the same college course as the founder – small world but with the teaching stuff I couldn’t make the commitment. However that died and I really love RPGs and need external social contact so off I went after an old friend invited me to join his game.
I started out playing Blades in the Dark for a whole 1 week and then on week 2 got co-opted into running D&D for some newbies ( thanks Harry!) However it proved rather popular so it’s still going even after finishing the Lost Mines of Phalandelver – we’re now on the Red Hand of Doom (another thing I’ll need ot review at some stage!) I initially joined as I used to DM a lot and Harry’s invitation gave me an option to play, but as it stands my weekly RPG at a friends house has had me playing for the last 2 campaigns so I don’t mind DMing here. It’s all part of the karma circle or something.
Anyway, the ‘Millenium Falcons’ RPG group is sponsored by EN World – you may have heard of them. Accordingly, every month/6 weeks or so we get a couple of RPG books or accessories which are raffled. Each paying attendee in the previous month/6 weeks gets an entry while DMs get an extra entry for each week that they DM. It’s a really cool system and it’s nice to get a little kickback for supporting a club. As I’ve DMed and attended a lot (14/15 weeks or so!) – I’ve won twice! Firstly the Starfinder core book last month and now this week I won something called ‘Space 1889‘.
While I’ve heard of Star/Pathfinder I’d never heard of ‘Space 1889‘ using the Ubiquity system, – published by Clockwork Publishing (Abranson & Götz) and distributed in the UK by Mophidius.
Space 1889 Review
So I guess reading a lot of different types of RPGs is part of the criteria for attempting to write an RPG system and improve myself as a DM and storyteller? At the very least this one proves to be rather different than anything I’d normally pick up.
Interestingly all the rules are at the back, and all 137/241 pages of the fluff is upfront. It’s marketed as a ‘core book’ so in theory should be all encompassing from what I can tell. This was my major criticism with Starfinder – you still need adventures/encounters as well as enemies since there’s relatively few free resources at the moment. So short of making it up – which is totally OK by the way – I worry that in a finely mathematically tuned system (like Path/Star-finder where the numbers get bigger and bigger) it can be hard to accurately assess what numbers are the right ones for something as top heavy as a 3.X d20 system.
Looking at Space 1889 it seems ‘vaguely specific’. The rules cover a lot of options, but aren’t bogged down in details except for the setting and fluff. so the rules are vague but the setting is extremely specific. Generally anything with a date in the title is probably going to be specific. The history is quite detailed and from what I can see largely accurate but obviously has space travel and ray gun turrets and mech-robot things, along with lizardmen on Venus and alien/goblin/bat-things on Mars.
Meanwhile the earth is as screwed politically as it was in the real 1889 and there’s all the issues that go with colonialism, racism and the other general ignorances of the era. This isn’t to disparage the real people of the time – like all of us we are partially products of our time; I’m sure in 100 years, I’ll be seen as some ogre by comparison to future-people. However this is partially alleviated by the presence of aliens which is good, although I worry that it’s just a way of transferring biases and hatereds to non-humans. I guess that depends on what sort of game you run and what themes you want to explore.
The rule system is a pool based system using odd/even to determine successes – the ‘Ubiquity’ system. This is nice because the actual type of dice doesn’t matter (as long as its got an even number of sides) which I found novel enough. A typical 7 or 8 dice polyset gives you all the dice you’ll probably need, as does a block of D6. There’s options to boost your rolls with ‘style’ points which encourages roleplaying panache.
Character generation is a simple points buy with varying levels of power – from ‘unlucky fellow’ all the way up ‘Herculean’ with archetypes that remind me a lot of Vampire the Masquerade. This helps you set the tone from Cthulhu grade bumbling in the dark all the way up to Indiana Jones and beyond. In addition there’s a virtue/vice system which again has that feel of World of Darkness lurking about it although the setting seems to lean towards one of optimism and exploration.
I have to admit that I only gave the book a cursory flick over a couple of in terms of the first several sections of fluff. It is really dense on the setting and fluff, then light on the crunch. Additionally, there’s also no sample adventures included, although several developed example characters are included. There’s an assortment of extras available on Mophidius’ website. Artwork is reminiscent of 90s era WoD (minus boobs) and prior pulp-style comics which fits the theme nicely.
The custom alternate history is rather meaty and despite an A at GCSE, History to me is a subject and not a hobby to that level. I’d prefer to read the ‘history’ of Dragonville, with an eye to how I can use that information in a game rather than have a confusing mix of fact and fiction about an unreal timeline that I have to keep straight in a real world. I think it’s because if I’m reading say D&D or Starfinder ‘history’ it’s all ‘true’ because it’s all also all not real. In essence the pretend history is as real as it’s going to be. Whereas if I’m reading alternative history I have a dissonant meta-awareness that it’s all fake and need to take more steps to keep it mentally separate. However I know some people just love alt-history/diesel-/steam-punk stuff, I’m just not one of them.
I guess the word I searching for is verisimilitude; I find that ‘alternative’ settings don’t really tickle my fancy in that I find them too radically unrealistic. To scratch that itch I’d rather something like Vampire or Cthulhu which are also arguably ‘alternative’ (vampires and monsters exist) but are also ‘real’ in that day to day things like science and animals and stuff generally work how you’d expect. EG; Queen Victoria is queen and empress as opposed to England having becoming a republic after the Martian scuba-commandos attacks of 1847. Even Malifaux is alternative but is in a different dimension, again where all the weirdness is sort of contained and separate but parallel. Maybe I just need to get over this hump but as I’m not a fan of alt-history stuff it’s not something I encounter a lot of.
As mentioned this RPG is ‘vaguely specific’ so if you really want a setting about the early 1900s, that features pulp sci-fi, including space and aliens then this is certainly for you. The system is streamlined enough to avoid pointless complexity – the bane of the old storyteller system or d20 3.X – and looks simple enough to run. I don’t think this is something that I’ll end up playing because it’s so specific, however I am very interested to steal the Ubiquity system and give it a try to see if it’s good for other things! I already have Spirit of the Century – a FATE based system I really like the idea of but have yet to actually play -since it can cover alternative history but doesn’t have to.
I feel that the crunch is great, the fluff:crunch ratio is great, but unfortunately the fluff isn’t of a genre that particularly makes me want to play it which is purely a personal thing. That’s what’s frustrating, I just know I’m not a fan of victorian/steampunk the same way I’m not a fan of Hip-Hop, Guiness or Soccer which in some ways is worse because I know there’s little I can do to make myself enjoy it.
This isn’t the typical ‘your should roleplay more’ or ‘how to get your players involved in the world’ type stuff that you see around the internet. This is using in-game storytelling as a narrative framing device within an established campaign in order to facilitate a deviation from the usual pace or style of play.
Beginning at the End
Why do this? I had this idea while looking at the nascent D&D Beyond forums . Someone was having difficulty getting their PCs to a particular adventure. I suggested that the adventure had already happened. You tell the story in ‘flashback’ – the adventures are in the pub/adventurer base/quest hub after having succeeded at the previously inaccessible quest, and new hopefuls come along looking for tales of adventure. The PCs dispense their wisdom with the DM as the ‘narrator’ or the story.
I think the flashback/storytelling is a good storytelling device because we’ve already established that the characters are (still) alive so even if they die in the ‘story’ we ‘know’ that they didn’t/got ressurected. This adds a layer of security which means that the players might take risks that they otherwise wouldn’t. Players might not want to risk their precious PCs on a tangential one-shot so by framing it as an in-universe story you can overcome some of those hurdles.
If you’re looking to shake up your campaign and shake up your players you could do worse than get the Tales from the Yawning Portal. (If you buy via Amazon from the link I get a little kickback at no additional cost to you!)
What i’m trying to get at is that RPGs are about telling stories and, just like stories from books, TV or other media, they do not need to be linearly narrated. You can exploit novel narrative techniques that we see in film or theatre. Although, while these techniques can keep things fresh and are good now and again, you would rapidly get annoyed if your favourite TV serial was always relying on such tricks to make stories work. So use sparingly – when the narrative calls for it!